GILLIAN KAYROOZ



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 I acknowledge and pay my respects to the Gadigal people of the Eora Nation and the Dharug peoples, who are the traditional custodians of the land on which I was raised and continue to work. I pay my respect to elders past, present and emerging.


GILLIAN KAYROOZ                


 ︎   ︎   ︎    ︎   ︎

THE WAY IT MAKES ME FEEL WHEN YOU SHRINK WRAP IT LIKE THAT, 2019






Gillian Kayrooz, The Way It Makes Me Feel When You Shrink Wrap It Like 
That
, 2019, HD video, colour, sound, 5 minutes 7 seconds.
The Way It Makes Me Feel When You Shrink Wrap It Like That is a collection of organic material and man made debris from the parkland and surroundings of Tenjinyama. The video works comment on the domestic interaction between the natural and local environment observed in the neighbourhood of Sumikawa. In particular, the parallel behaviours of consumer production vs. environmental protection.

Through the use of a scanner, the floral matter and plastic consumables are brought to life through a delicate series of photographs, drawing similarities to the dutch vanitas genre of still-life.









Gillian Kayrooz, Domestic Detritus, 2019, 1400 dpi scan, 210 mm × 297 mm .jpg
Gillian Kayrooz, Do Not Use If Seal Is Broken, Silk Organza, 23gsm, 42cm x 59.4cm, 201

Gillian Kayrooz, Organic Tinnie, 2019, 1400 dpi scan, 210 mm × 297 mm

Gillian Kayrooz, Rubber Stick, Silk Organza, 23gsm, 42cm x 59.4cm, 2019





The Collectors Item Exhibition - Art Month, 2021, Parramatta Artist Studios, Sydney, AUS



The Collectors Item Exhibition - Art Month, 2021, Parramatta Artist Studios, Sydney, AUS



Gillian Kayrooz, Echoes In Soft Spaces (solo exhibition), 2019, Tenjinyama Artist Centre, Sapporo, JPN



Gillian Kayrooz, Moss (solo exhibition), 2019, ArtnShelter, Tokyo, JPN



Gillian Kayrooz, Moss (solo exhibition), 2019, ArtnShelter, Tokyo, JPN






© Gillian Kayrooz 2021. all rights reserved.